![]() But even they seem to be unsure of what the hell kind of movie this is supposed to be or just how to make the loony dialogue sound real. Now, the picture has a great look with sunny Argentina standing in for the American west and both Miner and Kane give it their all. ![]() Stale as it is, this story has been done before and can be done again by filmmakers with a new angle. ![]() But Billy is a changed man, wracked with guilt over his actions, and is mortally afraid of some divine retribution to come. The rest of the film chronicles their shaky relationship as they head out west planning to dig up the loot Billy buried years earlier. Billy spends the movie friendly "SEVEN YEARS" in jail but is suddenly bust out of a armored vehicle by Betty and the two make their escape. One verbal reference to Butch and Sundance later, the two burst out the front doors firing guns in a freeze frame that winks right back at the Paul Newman-Robert Redford film. The police have the place surrounded but with their faith in the power of their love they decide to make a break for it right out the front door. After a long chat in a diner featuring much random discussion of eggs, philosophy and existentialism way above these characters' diploma-less education, we learn that they've killed every living soul in the place in a total bloodbath. ![]() See if this story sounds as stale to you: Betty (Rachel Miner) and Billy (Christian Kane) are a couple of white trash talkin' killers on a huge cross country crime spree that seems less driven by the need for cold cash than an expression of the burning hot love that consumes them. ![]()
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